On the orders of their boss, two seasoned contract killers are marching their latest victim to the mob graveyard they have used for several years. When he escapes leaving them no choice but to hunt him through the surrounding forest, they are soon hopelessly lost. As night falls they uncover a dark and terrifying truth about the vast, sprawling woodland, and the hunters become the hunted as they find themselves stalked by an ancient supernatural force.

An ex-treasure hunter's search for his missing brother coincides with a quest for buried Incan gold.

Former two-term President Richard Graves embarks on a Don Quixote-like quest to right the wrongs of his administration and reclaim his legacy 25 years after leaving the White House. His enlightenment takes place just as his wife Margaret Graves decides it’s finally time for her to pursue her own political ambitions.

Margaret Powers—a middle aged, middle class doctor of pathology—seeks a path of vengeance when she captures and tortures the young man she believes murdered her son, but in a bid to extract a confession, that path to vengeance leads to tragedy and unearths deeply troubling truths.

暂无剧情简介

A girl's obsession with her brother's disappearance leads her on a nightmarish journey through a small town's Gothic landscape where she is faced with a deadly proposition. How far will she go to save the people she loves?

A Mexican bandit and his gang are offered a pardon and a cash reward if he will cross the border into America and bring back a gang of murderous gold thieves who robbed the local church and killed the priest and the Head Federales' wife and children.

Music Video

在塔利班接管喀布尔期间，阿富汗军队守卫着法国大使馆。他们肩负着在混乱中疏散500人至机场的任务，在试图绝望逃离这座正在沦陷的城市时，面临着巨大的风险。

该剧为十一集单元剧，剧集分别为《尸体》《圣女》《分离》《杀妻》（上、下集）《窒息》《花劫》（上、中、下集）《弑父》《芳踪》。 　　1977年，谭家明继《七女性》之后策划了另一个由他主导的片集系列《13》。命名《13》，是取西方文化里“十三不祥”之意；《13》每集独立，全部都是围绕凶杀、变态人物、不伦关係等偏锋题材。《13》原拟拍13集，但最终只拍了11集，全部由谭家明导演。 《13》是谭家明电视时期里较晚的作品（此后他只帮忙导演过一集《小人物》），他在形式与风格上的鍊炼在此可谓达致一个比较成熟的境界。例如《弑父》里可见他严谨地以推轨镜头贯穿全片的视觉风格，与及贯彻地控制著女主角陈玉莲的表演。值得一提的是，《13》也有一些鲜在谭家明身上见到的面貌。例如《尸体》写一对夫妇如何应对一个荒诞处境，便充满意料之外的黑色幽默，那种谐趣是几乎没有在谭家明的电影中出现过的。